Things I Liked – February 2020

Yikes. Somehow it’s February. Well, technically March because I write these posts at the end of the month. Either way, time has happened.

Anyway, here are some things I Liked.

Next in Fashion

It’s a Netflix Tan France vehicle: how was I not going to Like this? As far as I can tell, this is sort of like Project Runway, except presented by two British people, and with a much more international cast. And, also, like Masterchef the Professionals or The Great British Menu, the people they have on it are already quite well established in the industry. Just not as well-known as, well, anybody who hasn’t been on TV.

I think the thing about this kind of show is that it has to go one way or the other, professionalism-wise. Bake Off is cute because it’s so adorably amateurish—it’s all people who cook at home in their kitchens, cooking the kind of thing they could cook at home in the kitchens (at least it’s supposed to be, despite the occasional over-reaching challenge). And The Great British Menu is sort of fascinating because it’s (adjusting for the usual TV-hype and lies) chefs who are genuinely at the top of their game (like, a lot of them have actual Michelin stars) doing weird stuff with edible ash that symbolises the post-industrial landscape of the north east. And as much as I love reality TV, I do sometimes worry about the effect it has on people who aren’t industry professionals who are used that level of scrutiny. I mean, Bake Off is about as gentle as you can make this kind of thing and even it has its causalities: John from, I think, Season 3 has spoken quite publicly about the depression he went through after the series ended (although he seems in a good place) and I think both Ruby and Candice have discussed the difficulties of being an attractive woman in a competitive environment where people will assume you’re getting by on your looks.

ANYWAY! Next In Fashion is in my sweetspot for level of professionalism and also makes the surprisingly simple but surprisingly genius call of having the designers compete in pairs for the first half of the show, which means instead of having to keep track of twenty different people, you’re having to keep track of ten different teams. And because most of the teams, especially the ones that tended to be successful, are people with an existing relationship it’s a genuinely fascinating insight into how people work together, albeit in a totally artificial environment.

For example, one of my favourite teams was Charles and Angelo, and you can sort of tell everything about them just from their names. Basically, Angelo was this adorable ball of creative floof and Charles was the guy who actually made the clothes—and every time the camera cut to them, Charles was busy sewing or cutting something like eighty gazillion miles of fabric, and Angelo would be flying a kite or staring at a balloon. Well, not literally. But the sartorial equivalent. And the moment the teams split up they went out in consecutive episodes, Angelo because he lacked the technical skills and time management, and Charles because he lacked that creative, kite-flying, floofy edge.

Conversely, you sometimes had teams who’d got together just for the sake of the show and who would quickly discover that this did not work at all. Like Hayley and Julian, Hayley being this very straightforward, down-to-earth Glaswegian woman who favoured muted colours and austere designs, and Julian being extra as fuck. Sometimes their entirely incompatible visions came together by some kind of accidental alchemy into something genuinely quite good (there’s an episode where Julian sort of forces Hayley to make a dress out of fabric she hates, and the result is actually completely amazing because it’s this very tailored style in an outrageous print) but mostly that … is not what happens. Like, pretty much my favourite moment in the entire show is when Hayley runs out the pale blue fabric she is using to line a jacket and Julian runs over with a roll of gold sequins.

This has also, at least in Casa de Hall, led a new vocabulary for talking about relationships because we now completely understand what somebody means if they say “Are you being the Angelo in this situation” or “Stop Julianing me.”

So yes: highly recommended if you like that sort of thing.

Lindt Raspberry Intense

So I’m not the biggest fan of, well, chocolate. Which I appreciate is one of the few #unpopularopinions that is genuinely unpopular. And, obviously, preferring dark chocolate just makes me a giant fucking hipster pseud.

Except … I do kind of prefer dark chocolate?

And I prefer it even more when it’s got intense raspberry in it.

So. Yeah. Lindt Raspberry Intense does exactly what it says on the tin.

(I also recommend the sea salt from the same range for other giant fucking hipster pseuds who don’t like milk chocolate).

Melodicka Brothers

This was a random YouTube recommendation that I probably received because the algorithm realised that I love listening to self-consciously quirky covers of things. And, having run out of bits of Post Modern Jukebox, and people who used to be on Post Modern Jukebox, and Google Translate Sings (now rather tragically re-named Translator Fails, which is a much worse name), it finally threw me these guys.

They are two nerdy Italians who do tonally inappropriate covers of popular songs. Examples include: Creep (But Way Too Happy), Barbie Girl (But Way Too Sad), and Somewhere Over the Rainbow (But Way Too Angry).

Did I mention I’m a giant fucking hipster pseud? But, anyway, these charm the hell out of me.

Tubbz Cosplaying Ducks

Ducky made me put this one in. They’re ducks, right, who are cosplaying. Examples include, Sauron Duck, Joker Duck, Chun Li Duck, Egon Spengler Duck, and Fallout T-51 Power Armour Duck.

Needless to say, these are adorable and probably slightly too expensive.

Highly recommended for the demanding duckchild in your life.

Diablo 3

So this is an old game and a game that nobody liked for and that most people still don’t like. But, guess what, I kinda like it.

Partly, I think I like Diablo 3 as a reaction against people who complain that it’s not as “dark” or “mature” as Diablo 2. Which, dudes, it was an early 2000s game with pixel graphics and red pointy demons. Yes, there were pentagrams in some places but that’s only “mature” in the sense that it would have pissed off some conservative groups in the 1980s.

And I will admit that Diablo 3 at launch, well, it wasn’t a hot mess. But it also wasn’t not a hot mess. The big issue with Diablo 3 at launch was that the story was bleh (although, it’s a fucking action-RPG, their stories are always bleh, the story of original Diablo was bleh) and it had this thing called the real money auction house. The real money auction was a way you could sell in-game items to other players for mostly negligibly small sums of real cash, the idea being that this would provide Blizzard with a way to continue monetising the game after launch. The problem is, this created a massive perverse incentive for the designers. The core gameplay loop of an action RPG is that you kill shit to get loot to get stronger to kill nastier shit to get better loot to get stronger to get nastier shit. The moment the designers given themselves a revenue stream that depends on it being more convenient to buy loot for real money from other players instead of generating it yourself naturally in-game they will a) do that and b) wreck their game in the process.

When Diablo 3 first launched, most stuff that dropped for your character wouldn’t be stuff your character could use, the expectation being that you would sell it on the RMAH. So suddenly instead of playing a game for fun you’re doing unskilled sub-minimum wage work for a multi-national corporation. In your leisure time.

This was fixed around the time the game’s first, and only, full expansion released. They upgraded to the so-called “loot 2.0” system which introduced such revolutionary concepts as “giving you more stuff” and “giving stuff that was actually useful to your character”. This makes the game a lot more fun.

There was still the problem, though, that the only real gameplay you had was doing the campaign over and over again on harder difficulties (and, somewhat unfairly, people complained about this, despite it being how Diablo always fucking worked). They fixed this by adding end-game progression content in the form of “rifts” (random dungeons that you go into and kill increasingly tough monsters) and by introducing the concept of seasonal play. A seasonal character has to start from level 1, along with everybody else that season, and all their stuff is kept separate from your other characters until the season ends. This, on its own, was a little bit refreshing. Then they hit on the idea of giving each season a powerful thematic buff that makes you feel awesome in a way you’ve never felt awesome in the game before (“gold falls out the sky when you kill monsters” “you need 1 less item to complete your gear sets” “those goblin things that drop all the cool loot? There’s hundreds of them now!”) and this just makes it incredibly compelling.

A season of Diablo 3 is just … a dopamine delivery system. It’s drugs for people who don’t want to take drugs. You do a thing, you get a reward, you do the same thing again, you get a slightly different reward. Literally forever.

And I was going to add Love is Blind to the end of this—but the more I thought about it, and the more I wrote, the longer it was making this post, and the more I realised it didn’t quite belong in a list of things I “Liked” (though I won’t deny, it’s compelling viewing).

So I’m going to wrap this up here. Look out for my long rambling thoughts on LIB. And tell me what you’re enjoying this month. Or don’t. It’s a free world.


21 Responses to Things I Liked – February 2020

  1. Katepreach says:

    Wow that cover of Barbie Doll is weirdly compelling.

    But I always thought it was a sad and angry song, albeit dressed up in a forced happy tune, so to me it’s just making the subtext into text.

    Possibly I have spent too long thinking about Aqua lyrics in my life

  2. Kelly says:

    What I liked,

    Well, I always like reading what you liked cause it’s usually stuff I’ve never heard of, so I always learn . . . Stuff

    Also, I f#%£¥%g love that my adult oldest kid just moved out today with her significant other and my grandson!! But I am still daycaring (?) the little one, best of both worlds

  3. Sophie says:

    (I think my comment just got deleted because of the links. Reposting–hopefully this doesn’t mean it posts twice.)

    I agree with Kelly–I like hearing what you liked because they’re usually things I would never come across myself.

    I like chocolate, but I like dark chocolate even more, so Lindt Raspberry Intense and Lindt A Touch of Sea Salt sound right up my alley. Hopefully I can get some before they all end up in someone’s coronavirus doomsday prepper stash. The sad “Barbie Girl” is actually quite lovely, and the punk “Somewhere Over the Rainbow” is hilarious.

    In the vein of Ellery-style murder ballads, something I have been liking recently is Vandaveer’s version of the old English song “Pretty Polly”, famous(ish—very ish) in the U.S. as an Appalachian song played on the banjo. The lyrics in this version are ludicrously stripped back–lyrically, as opposed to musically, there’s not much of a dramatic build-up to the murder the entire song turns on, for example–but the banjo is AMAZING. Creepy and wistful and beautiful.

    I’ve also been rediscovering musical adaptations of “The Lady of Shalott”, both Loreena McKennitt’s faithful Tennyson version and Emilie Autumn’s creative interpretation.

    • Sorry, yes – my website gets suspicious of you if you post too many links. You in the general sense, not you personally. It also gets suspicious of me if I post too many links.

      Also I was listening to Mckennitt’s version of The Highwayman just the other day!

      • Sophie says:

        Oh my God! “The Highwayman” is my favorite McKennitt song. It’s the gateway drug. I got my dad interested in her music too with that song.

  4. Kamala says:

    I’ve met a couple people who absolutely don’t like chocolate. I prefer my chocolate to be in baked goods or things like pudding. I would not miss never having another bar of milk or dark chocolate again. Or, although I like chocolate in things (see above), if I never ate chocolate again it definitely would not be the end of the world for me.

    As for things I liked in February… I saw beavers in the wild! Well, the wild of an urban park. Beavers the animal, not slang beavers. Lol. I went back there again this morning but I didn’t see any this time. Just nutria and maybe a muskrat.

    On YouTube I somehow found a channel called 12tone about music theory. You only see a hand drawing various things and making musical notation on staff paper while a voice talks. He breaks down chord progressions and key changes and things and although I only actually understand the general outline of what he’s talking about, it’s weirdly fascinating.


    • Weirdly I am not so much of a fan of chocolate in stuff either – at that point, it just makes everything taste of chocolate.

      And I totally get the fascination of watching people on YouTube talking about things that are totally outside your sphere of experience: I often fall asleep to a soft-voiced French man who has an entire channel based on this concept.

  5. Mary Pat Stiefer says:

    I’m still ROTFL over the cosducks. Here’s one for Ducky for Trafalgar Day, from the National Museum of the Royal Navy,

    Also, a thrilling pirate duck and a charming Submariner duck from same source,

  6. EmmaT says:

    I have now found how I am going to spend my free time. Listening to Creep right now and cracking up.

  7. Judith says:

    Next in Fashion – yes, I like that sort of thing. Loved it! Watched it twice, perfect binge material. Part of the fun was seeing what Tan was wearing. He had some great outfits, and wore them with aplomb. Angelo was my favourite, such a sweet guy.

    • Angelo was delightful – but poor Charles, having to do all the actual work! I was also a huge fan of Angel and Minju. I thought they were a fabulous team.

      And Tan’s outfits were … mind-boggling but delightful.

      Can’t wait for S2.

  8. Let me see. I also LOVED Next In Fashion! I will shamefully admit here that I watched the entire season in 2 days. Don’t judge me.

    I also learned that I like painting rocks.

    Yes, we are living on the edge out here on Vancouver Island!

  9. Dee says:

    Are you looking forward to Diablo IV?? My husband still plays Diablo III with our grandsons and he is always telling them to get the goblins!!! I , on the other hand, watch Project Runway here in the states and I must say I am always astounded at the talent and the quality of the pieces they come up with on such a short amount of time. I guess when you do something you love it makes it so much easier!!

  10. Shannon says:

    Thanks for recommending Lindt Raspberry Intense. I’d had the orange before which is also delicious but never tried it. It’s so crunchy and good.
    Next in Fashion was great, I got through it far too quickly. May have to rewatch it while isolating.

  11. Jeska says:

    Melodicka Bros! Their Du Hast cover is a delight 😂

  12. PL says:

    I am going to watch Next in Fashion based on this post—it sounds like something I would like.

    I am all about dark chocolate and I love raspberry with chocolate so I must seek out this Lindt Raspberry Intense. My husband is a complete chocolate fiend and raspberry is a favorite of his too. I suppose we are both wannabe hipsters pseuds.

    I need to listen to these covers but I must shout about Sauron duck for a moment because he’s amazing.

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